Sunday, December 4, 2011

HANSEL & GRETEL (EW gets First Look)


  • HANSEL & GRETEL

Gemma Arteton (Gretel) & Jeremy Renner (Hansel) - Totally Awesome!!!
Entertainment Weekly has a first look at Jeremy Renner and Gemma Arterton as Hansel & Gretel: Witch Hunters. Coming to theaters on March 2nd, the film also stars Famke Janssen, Peter Stormare and Derek Mears.

The movie takes place 15 years after the siblings' incident at the gingerbread house. Arterton explains: "You see a series of flashbacks with their experience of killing that first witch, which is brilliant... The heart of it is that these kids grow up to be bloodthirsty witch hunters."

She added that, while the film is a bit tongue in cheek, "it's also very, very dark, and bloodthirsty and there's a lot of cursing. It's kind of got a [Quentin] Tarantino feel, really."

Saturday, December 3, 2011

JOHN CARTER (Trailer and Director Speaks)

  • JOHN CARTER


Writer-Director Andrew Stanton, decided to speak about his new trailer that he released for his upcoming film John Carter, he believes that, when it comes to marketing, more movies should "own their sh*t."

"To me, if a trailer is looking or sounding like any other trailer out there, then what you're saying to the audience is, 'My movie is just like any other movie,'" noted Stanton on the eve of the trailer premiere for his new film, the ambitious sci-fi epic John Carter. "I tend to worry that marketers are underestimating their audience, which is not what I was trained to do at PIXAR. Own what you really have. Own your sh*t."


And judging by John Carter's new trailer (watch it below), the filmmaker is taking great pride in owning the identity of his live-action directorial debut. In fact, Stanton is very passionate about the way films are made and seen. He knows how to deliver big ideas; he's crazy at taking those ideas and wrapping them around characters worth caring about (see WALL.E and Finding Nemo). The biggest compliment you can give the guy is something along the lines of: "I wish I came up with that first!"


IGN then got a chance to speak with the guy, and they were interested on how do you get a film to be so successful and whats that process like, but anyway check the interview.

IGN: The last time we spoke with you, you were getting ready to release the teaser trailer for John Carter. And getting that from concept to final product was a long process for you and your team. Ultimately, the piece was met with various reactions, but it definitely had people talking.

Andrew Stanton: Well, I think we called attention by being quieter than everybody else. And with this new trailer... we're proud of the film we have. So every [discussion] we have about it -- whether it be about making the poster or the trailer -- is: "Let's encapsulate it." And if that's not easy to do, then that's OK. But let's not give up until we encapsulate what it feels like to watch the movie.

What I care about is: "Do you feel after you've watched the trailer like I know you'll feel after you've watched the movie?" It just so rarely happens with trailers.


IGN: Let's back up a bit and talk about the process of making this trailer -- of fine tuning it while knee-deep in post-production, to get it to that place you just described.

Stanton: Sure. This happens on every movie, at least on every movie I've worked on. Because of the CGI nature of it, there's so much to be done to an image to make it look "finished" on film these days -- especially on the digital ones -- that we never fit the calendar with when those shots are going to be done and when the trailers have to come out.

Trailers and teasers have to be planned at least anywhere from six months to year out from release, and most movies -- the film, the images -- they aren't starting to look finished until at least three to six months out from release. So there's always this huge [scheduling] conflict. A lot of the time, you're seeing less in a trailer or you're not seeing "the best stuff." It isn't because they didn't plan it that way, it's because that's all they had that they could show you.

Fortunately, when you're on a big movie with a studio like Disney, they've been through it enough times that you can try to plan for it.

IGN: So at what point does the marketing component of the movie intersect with what you're doing as a filmmaker?


Stanton:
You're trying to find the identity of your campaign while you're making the teaser -- at the same time -- so that's tricky. For example, on the teaser, you let [the marketers] play with all the rough footage of your film, and they'll cut whatever they need to cut to try and find something. Your first big hope is that they'll just find something worth watching. And if you're lucky enough to find the trailer that everybody likes then the next big battle comes. Because you go: "Well, I love that trailer. But I gotta tell you, 70 percent of the shots you've chosen? They will not be done by the time you need them."


John Carter hits theaters in March 2012. Definitely will be something worth the wait.

Check out the Trailer Below....




ALL YOU NEED IS KILL (Gets TOM CRUISE)


  • ALL YOU NEED IS CRUISE

Mission Impossible: Ghost Protocol - Japan Poster
Tom Cruise has agreed to star in the Doug Liman-directed All You Need Is Kill at Warner Bros. Pictures, reports Variety.

 The film will be based on the Japanese novel by Hiroshi Sakurazaka . It is described as follows:

All You Need Is Kill
“There's one thing worse than dying. It's coming back to do it again and again... When the alien Gitai invade, Keiji Kiriya is just one of many raw recruits shoved into a suit of battle armor and sent out to kill. Keiji dies on the battlefield, only to find himself reborn each morning to fight and die again and again. On the 158th iteration though, he sees something different, something out of place: the female soldier known as the B*tch of War. Is the B*tch the key to Keiji's escape, or to his final death?”

The trade adds that a deal is not officially signed yet, though the script has been rewritten to fit Cruise's age. Dante Harper wrote the script and Jody Harold did a rewrite.

Cruise is currently shooting Christopher McQuarrie's One Shot and will follow that with Joseph Kosinski's Oblivion. He's expected to film All You Need Is Kill after that project in late 2012.

Friday, December 2, 2011

STAR TREK 2 (Cast News)


    Alice Eve
  • STAR TREK IS OUT OF MY LEAGUE

Director J.J. Abrams has beamed aboard Alice Eve for his upcoming Star Trek sequel.

Variety reports that the English-born She's Out of My League and Entourage actress, 29, will be "playing a character that's believed to be new to the canon."

The trade adds that Eve beat out Captain America's Hayley Atwell and Teresa Palmer (The Sorcerer's Apprentice) for the role.

Benicio del Toro still hasn't closed his deal to play the unspecified villain in the sequel, which Variety says its "insiders believe will be playing someone familiar to Trekkies. Abrams has just one more major role left to cast; sources say it could be another villain, someone who's older and in more of a supporting character to del Toro."

Star Trek 2 is slated to open May 17, 2013.

NOAH (Cast Speculation)


  • BATMAN AINT DOING NOAH BUT MAGNETO MIGHT

Michael Fassbender for Noah
Variety reports that Oscar winner Christian Bale -- said to be the first choice of director Darren Aronofsky to play the title role in his Biblical epic – is no longer attached to the film as he is already committed himself to two Terrence Malick movies that he's slated to shoot next year, that schedule seems to conflict with Noah.

The trade claims X-Men: First Class actor Michael Fassbender is now being eyed for the role of Noah: "While Fassbender has not yet received an official offer, sources tell Variety that he has discussed the part with Aronofsky. Fassbender finds himself available now that WB's Londongrad has stalled following the departure of helmer Rupert Wyatt, whom Fassbender was keen to work with."

Paramount and New Regency aim to begin production on Noah in March. John Logan penned the most recent draft of an original script by Aronofsky and Ari Handel. 

Thursday, December 1, 2011

BRIDGET JONES 3 (Director Rumour)


  • BRIDGET JONES 3

Bridget Jones 3 in the Making
Deadline is reporting that The Full Monty helmer Peter Cattaneo is in talks to direct Bridget Jones 3 for Universal Pictures and Working Title.

The third installment, which starts shooting early next year, will bring back together Renée Zellweger, Colin Firth and Hugh Grant. They previously appeared in Bridget Jones's Diary, which earned $281.9 million worldwide in 2001, and Bridget Jones: The Edge of Reason, which added another $262.5 million in 2004.

Author Helen Fielding wrote the script with David Nicholls and Paul Feig, the Bridesmaids helmer who was previously attached to direct.